Friday, November 22, 2019
Bluest Eye and Giovannis Room
The blue eyes and Giovanni's room have two novels written by James Baldwin and Tony Morrison, the world's most highly respected 20th century literary writers. But I'd like to concentrate on their two pieces, James Baldwin's Giovanni's room and Tony Morrison's blues eye. Among these novels, the author suggests a theme rooted in some way in the present. These authors now show this in different ways. This is due to the contrast between the outline of their stories and the structure of novels. Room of Giovanni James Baldwin's novel Giovanni's Room is aimed at emphasizing the symbolism of Giovanni's room. In the novel, the room of Giovanni is depicted as a Giovanni prison symbolizing the life of Giovanni, dominating the relationship between Giovanni and David, a metaphor of David's homosexuality and underwater tomb. These different depictions of Giovanni's rooms are combined in novels to create an overall negative metaphor for homosexuality that follows from society. In the novel The Blue st Eyes, Tony Morrison combines techniques such as how to use the metaphor, satirical usage of the name, and the visual image she uses. The theme of blue eyes is developing mainly on consistency of African Americans against white standards. Women can make their skin white and adjust their hair by changing their hair, but you can not change the color of their eyes. The desire to change his / her identity is itself a desire to become a depressed eye, a desire to become an indication of instability of Pecora itself. This work was somewhat overlooked before other Morrison novels began to form a series of works, but most of the comments on the most eyes are beneficial. Later, many critics saw the blue eyes as a background for Morrison's quest for racial, sexual and cultural problems. For example, Slara, the central figure of Morrison's second novel, is not constrained by social norms that are not of type, but Jade of Tar Baby's fashion model rejects myths of romance . . Morrison women ar e increasingly looking for freedom and autonomy. Like Claudia MacTeer in The Bluest Eyes, they reject romantic myths, beautiful myths, and the implicit character. But the blue eyes is not only the foundation of Morrison's late novels. It is worth reading for himself.
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